Paul M. Fuller, 1897-1951
It
has over the years been believed that Paul Max Fuller was born in Switzerland on
the 5th January, 1897. Actually he was born on the island Corsica (born name
was Paul Fulier), and then still an infant brought to
Interlaken in Switzerland by his French mother,
who married a Swiss citizen. As a young man, on his honeymoon with his first
wife Friedel Schaer, he
went to Nebraska to visit his wife’s sister Louise, and Paul Fulier may have thought that he could do well in the States
as an architect/designer. It is believed that Paul Fulier
worked some time as a farm hand in Wyoming (probably Nebraska) while he learned
the Anglo-American language, and it is also believed that Paul Fuller took the
middle name Max when he applied for American citizenship (Max was a good Swiss
friend, who was also on the ship to America with Paul and Friedel when they
were on their honeymoon). Later Paul M. Fuller went to Chicago and worked for the firm Marshall
Field & Co. (hundred years later the fourth largest general merchandise
retailer in the States). At the Marshall
Field & Co. Paul M. Fuller soon became the chief designer in charge of
interior decorating. In the thirties he was the originator, designer, and
principal owner of the popular Black Forest village display at the
Chicago World’s Fair (1933-34) and also designer of the Sun Valley alpine
village at the New York World's Fair (1939-40). Late in 1935 (after the divorce
from Friedel) Paul M. Fuller, by then a noted design
genius, was employed as a consultant by The Rudolph Wurlitzer Company in North Tonawanda to design
jukebox cabinets, and later as head of the design department. Paul M. Fuller
immediately started to explore alternatives to the conservative wood-'n'-glass
cabinet styles, and discovered the shimmering, translucent depth of Catalin plastic as an explosion of art and style (Catalin, a registered trademark of the Catalin
Corporation in New York).
Paul M. Fuller also discovered bubble tubes (described then as liquid fire),
when Edward Merle Colegrove, sales representative for
Biolite Inc. in New York, presented a new advertising
sign with bubble effect to him in the autumn 1938. After proper testing, the
bubble tubes were used in the cabinet for the Wurlitzer Model 800, and
that really was the zenith of Fuller's efforts to create eye-appealing features
of jukeboxes.
During
the years at The Rudolph Wurlitzer Company Paul M. Fuller had a total of 17
jukebox cabinet designs patented in his own name. The classic Fuller designs
started with Model 312 (patent No. D:99,277
filed on the 8th February,1936) and ended with Model 1100
(patent No. D:153,675 filed on the 8th September,
1947). Among the 17 designs was one for a Model 260 Console Speaker
and another for a very nice remote control unit for Model 1100 (filed
the same day), but those two designs were as far as it is known today never
produced at The Rudolph Wurlitzer Company in North Tonawanda. Paul M. (nickname: Malt) Fuller was together with general
sales manager Milton (Mike) G. Hammergren and the noted illustrator
Albert Dorne responsible for the whirlwind national
Wurlitzer advertising campaign around 1947, and the dean of jukebox
designers finally left the major jukebox manufacturer in 1948 leaving
behind a legacy that transcended the mere product and helped to define an age,
the Golden Age of automatic coin-op phonographs.
In
1949, soon after leaving the jukebox trade and the Fairfax Hotel in Buffalo,
where he resided during the years at The Rudolph Wurlitzer Company, Paul M.
Fuller established his own design engineering company in Oneida (the Paul M.
Fuller Company), and continued working with wonderful furniture and piano
designs until he died only 54 years of age. Paul Max Fuller died at the Millard
Fillmore Hospital in Buffalo on the 29th March, 1951, and was according to the
obituary in the "Buffalo Evening News" survived by his wife Ruby Rudd
Fuller (his second wife), his son Paul Norman Fuller, and also by his brother
Hans in Zürich in Switzerland. Paul M. Fuller’s first wife Friedel died in 1985, and his only son Paul Norman died in 1999.
Gert J. Almind